Ibiye Camp (she/her) is an artist whose work engages with technology, trade and material within the African Diaspora. Ibiye’s work utilises architectural tools to create sound and video, accompanied by augmented reality and 3D objects, and highlights the biases and conflicts inherent to technology and postcolonial subjects.
Camp co-founded Xcessive Aesthetics, an interdisciplinary design collective exploring data through immersive technologies and public installations. Xcessive Aesthetics run a BA Studio titled Digital Native at the Design Academy Eindhoven. Ibiye also tutors at the Royal College of Art in MA Architecture with Dele Adeyemo and Dámaso Randulfe.
Camp has presented her work at The Sharjah Architecture Triennial titled Rights of Future Generations in 2019 and Triennale Milano The State of the Art of Architecture conference in 2020. She showed in the Istanbul Biennial titled Empathy Revisited in 2020, and MAAT – Museum of Art, Architecture and Technology’s exhibition titled X is Not a Small Country in 2021 and the 13th Shanghai Biennale titled Bodies of Water in 2021, and most recently London’s Art Festival, Deptford X in 2022.
Camp holds an MA in Architecture from the Royal College of Art, London 2019 and BA (Hons) in Fine Art, the University of the Arts London, Central Saint Martins 2013.